Some of the fragments made in more traditional animation techniques are not bad, but "not bad" is hardly enough, and very few of the shorts pretend to be more than that.

1 out of 1 found this helpful. 0 out of 1 found this helpful. La Traviata by Giuseppe Verdi - Trailer La Traviata (saison 19/20) 44 images. Opéra imaginaire (translates as "an opera for the imagination") is a 1993 French live-action animated musical anthology film, made for television.It has been compared to films like Fantasia and Allegro Non Troppo, and consists of 12 different segments, most of which are based on different popular operas.

Opera ... Place de l’Opéra 75009 Paris Opéra Bastille Place de la Bastille 75012 Paris 3 e Scène operadeparis.fr/3e-scene. Like Fantasia (1940) or Allegro Non Troppo (1977), L'Opéra Imaginaire (1993) is an assembly of animated short films based on classic music greats. The animation it's so beautiful as the music itself, but the best thing is that, unlike "Fantasia", the stories of the shorts are quite faithful to their original counterparts.

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The film as a whole, in my opinion, is ruined by sloppy and unimaginative use of computer animation in some of the shorts and especially in the narrator sequences.

In partnership with France.tv His “Violetta 2.0” is an arresting public figure who circulates in a world epitomised by excess, obsessed by appearances and desperate for the recognition that the social networks seem to promise. Perhaps in 1993 it was an interesting experiment in CGI, but today we are interested in the end result, which, alas, is far from being impressive. By

Available from May 9 at 10 p.m. until November 9 | video accessible from France only computer-generated images.

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This is truly an invitation to travel to the lands of imagination. Giuseppe Verdi This is not the least radical aspect of his “Traviata”, which implacably strips bare the violence of a society that promotes worldly pleasures only to sacrifice an innocent woman on the altar of bourgeois morality.Simon Stone delights in grappling with the major works Simon Stone delights in grappling with the major works of the repertoire, enticing them into more intimate territory. November 2020 bietet die Opéra national de Paris eine Online-Übertragung von Giuseppe Verdis populärem romantischen Werk La Traviata, inspiriert von der „Kameliendame“ von Alexandre Dumas d.J.

Orchestre et Chœurs de l’Opéra national de Paris With: Pretty Yende, Catherine Trottmann, Marion Lebègue, Benjamin Bernheim, Jean-François Lapointe, Julien Dran, Christian Helmer, Marc Labonnette Réalisation: François Roussillon Production: Opéra national de Paris, François Roussillon et associés. 4 out of 4 found this helpful. —

Like Fantasia (1940) or Allegro Non Troppo (1977), L'Opéra Imaginaire (1993) is an assembly of animated short films based on classic music greats. Opera Was this review helpful?

Eine Oper in drei Akten unter der musikalischen Leitung von Michèle Mariotti und dem Theater-Regisseur Simone Stone, der sein Debüt an der Opéra national de Paris gibt.

Directed by some of the best European animators and artists, L'Opéra Imaginaire takes us through dance, theater, music and painting masterpieces.
A variety of animation techniques is used, including (very daring for that time !) 11 out of 11 found this helpful. One of today’s most distinguished stage directors, he now makes his long-awaited debut at the Paris Opera.Mécène des retransmissions audiovisuelles de l’Opéra La Traviata 8 available articles Folder 01:10. Was this review helpful? Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms. Follow us. "Opéra imaginaire", very much like "Fantasia" and "Allegro Non Troppo", gives life to many of the most famous pieces of classic music through different styles of animation.



It uses several animation techniques, like stop-motion clay animation or CG characters. Entdecken Sie Verdi: La traviata, extraits chantés en français (Stereo Version) von Mado Robin, Paul Finel, Orchestre du Théâtre national de l'Opéra de Paris, Pierre Dervaux bei Amazon Music. Famous for his adaptations and reinterpretations of classical texts and his hyperrealist scenography, Simon Stone sets La Traviata in the Paris of today. This article is published in collaboration with A tribute to 400 years of glorious opera, in the shape of animation segments set to famous arias. Serie La Traviata Beginning his opera with a prelude for strings of unprecedented economy of means, in 1853, Verdi affirmed his intention of defying conventions and norms.
It uses several animation techniques, like stop-motion clay animation or CG characters. Number 11 (Lakmé), directed by Pascal Roulin and done in clay animation, is one of the more interesting pieces.